Arts & Culture

The Salt
9:57 am
Fri December 27, 2013

2013 Was The Year Bills To Criminalize Animal Cruelty Videos Failed

A Humane Society investigation of a Wyoming pig breeding facility to the introduction of an ag-gag bill in Wyoming, which eventually failed.
Courtesy of Humane Society of the U.S.

Originally published on Fri December 27, 2013 2:07 pm

The past year was a busy one for the animal welfare activists who've turned their hidden cameras on confinement facilities where huge numbers of food animals are raised.

Livestock producers — and the policymakers they influence — were just as busy trying to make it illegal for activists to enter these facilities undercover.

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Best Music Of 2013
9:20 am
Fri December 27, 2013

2013: The Year In Tiny Desk Concerts

Hayley Bartels NPR

For weeks now, we've been compiling lists of 2013's best music — favorite albums, favorite songs, individual staff members' personal Top 10 lists and so on.

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Music
4:48 am
Fri December 27, 2013

How A Hip-Hop Remix Helped Make 'Cruise' The Year's Biggest Country Hit

Florida Georgia Line was unsigned when it recorded the year's biggest country song, "Cruise."
Courtesy of the artist

Originally published on Thu January 2, 2014 1:19 pm

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Book Reviews
2:23 am
Fri December 27, 2013

Nancy Pearl Turns Back The Pages With Picks From The Past

Steve Debenport iStockphoto

Originally published on Fri December 27, 2013 9:32 am

There has been no shortage of noteworthy new books this year. In fact, the prospect of choosing just a few of them to recommend to NPR's Steve Inskeep "kind of overwhelmed" librarian Nancy Pearl. So, "out of a sense of desperation," she says, Pearl combed through her own personal library stacks for some of her favorite titles from years past that readers might have missed the first time around.

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Movie Reviews
5:57 pm
Thu December 26, 2013

In 'Lone Survivor,' Heroics Extend Only As Far As Survival, Solidarity

Mark Wahlberg plays Marcus Luttrell in Lone Survivor.
Universal Pictures

We are awash in war films, and why is it that nonfiction films such as Dirty Wars or Iraq in Fragments increasingly resort to the dramatizing techniques of narrative film, while fiction films strain toward procedure, as if to avoid the sticky business of interpretation altogether?

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