Ann Powers

Ann Powers is NPR Music's critic and correspondent. She writes for NPR's music news blog, The Record, and she can be heard on NPR's newsmagazines and music programs.

One of the nation's most notable music critics, Powers has been writing for The Record, NPR's blog about finding, making, buying, sharing and talking about music, since April 2011.

Powers served as chief pop music critic at the Los Angeles Times from 2006 until she joined NPR. Prior to the Los Angeles Times, she was senior critic at Blender and senior curator at Experience Music Project. From 1997 to 2001 Powers was a pop critic at The New York Times and before that worked as a senior editor at the Village Voice. Powers began her career working as an editor and columnist at San Francisco Weekly.

Her writing extends beyond blogs, magazines and newspapers. Powers co-wrote Tori Amos: Piece By Piece, with Amos, which was published in 2005. In 1999, Power's book Weird Like Us: My Bohemian America was published. She was the editor, with Evelyn McDonnell, of the 1995 book Rock She Wrote: Women Write About Rock, Rap, and Pop and the editor of Best Music Writing 2010.

After earning a Bachelor of Arts degree in creative writing from San Francisco State University, Powers went on to receive a Master of Arts degree in English from the University of California.

Almost a month ago, President Trump's immigration ban pushed words with long histories back into the foreground of the public conversation; one was "refugee." Since then, much analysis and inflated rhetoric has attached itself to that word, but not that many Americans have had (or have taken) the chance to interact directly with those to whom it applies. Music has long provided one way for outsiders to connect with refugees' hopes and fears. A recent encounter in Nashville reminded me of the revelations it bears.

Little Bandit is a group devoted to the songs of Alex Caress, who's making classic country music with a sassy and subtly political twist. Caress first impressed Nashville audiences as part of the dream-pop band Ponychase, which was led by his sister, Jordan. More recently, he's played keyboards in breakout punk-blues star Adia Victoria's band.

"I was young, but not for long," sings Rhiannon Giddens in the voice of one of the characters she brings to bloody life on her second solo album, Freedom Highway. Actually, she wails the line – in grief, in defiance, and with the laser-deadly accuracy of a singer whose art is steeped in the subversive theatrics of Paul Robeson, the prophetic folk of Odetta and the psychological inquiries of Stephen Sondheim.

Adele broke her Grammy award in half Sunday night. It might have seemed like the careless act of someone with plenty to spare; the 28-year-old powerhouse vocalist has 15 of the music industry's most coveted statues, including the five just presented for her latest album, 25. She did so charmingly, with a characteristic big laugh, and apparently by accident, severing the statue's gramophone horn from its base as she nervously handled it.

Wanderlust is at the heart of the music The Wu-Force makes and the lives its members lead -- but so is its opposite: homesickness. The trio's members, two American and one Chinese, are all inveterate world travelers who've forged unexpected musical connections.

Note: NPR's First Listen audio comes down after the album is released.

"Waiting 4 it," one Lady Gaga fan wrote on her Facebook wall before the Super Bowl halftime show last night. "Gaga, say some s***." The multiplatinum pop rabble-rouser's reputation as an advocate for LGBTQ rights, feminism and general freakery left her with a certain burden of proof as she took on America's biggest annual slice of family entertainment. Would she speak out about the need to preserve civil rights as a new administration already establishing a spotty record on that front reshapes the presidency?

Revivalism in music often seems to be no more than a matter of style: a perfectly greased pompadour, a well-pressed rack of vintage dresses, some vintage equipment and the careful mimicry of a particular "hi-de-ho" or drawl. It's the rare living musician who does the extra work to comprehend the past she or he pursues in its entirety, from the flashiest trends of the time to the notes in the margins. Paul Burch is that extra-hard worker who also happens to be gifted with an easeful way of getting his messages across.

Top 10 Top 40 For 2014

Dec 22, 2014

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