Felix Contreras

There is a sonic revolution happening in Cuba these days. A new generation of musicians are taking the training they received in Cuba's fabled classical music academies to new heights by incorporating not just jazz, but hip-hop, funk and any manner of experimental music. Yissy García and Bandancha may be the best example of that vanguard.

The history of television and film portrayals of people of color is pretty abysmal. Either we are not present, just in the background and stereotyped, or we're cast as maids, gardeners, servants or the comic buffoon. In my lifetime, I have never been exposed consistently to characters who either look like me, act like me or reflect my reality of those around me.

Notice I said consistently. There have been exceptions, but it seems we've had to wait patiently for portrayals that we recognize as being significant to our lives.

Colombian pop star Juanes and Chilean singer Mon Laferte recently wrapped up a sold-out tour of the United States, which (lucky for us) included a stop at the Tiny Desk.

Monsieur Periné has followed up its highly acclaimed sophomore album Caja de Música — which garnered the Bogota-based band a Latin Grammy for best new artist in 2015 as well as a 2016 Grammy nomination for best Latin rock, urban, or alternative album — with Encanto Tropical, a vision of tropical musical reveries.

This is an Encore presentation of Alt.Latino.

Even better the second time!

Enjoy.

This week on Alt.Latino, we venture into a long-running conversation about remixing classic recordings. Along the way, we feature a new album released by Fania Records called Calentura, in which the label sent a handful of DJs and producers a treasure trove of original masters from the Golden Age of the brash and innovative Afro-Caribbean music known as salsa.

I can already hear some of you reacting to the concept:

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.


The guys in Brownout have done it again.

They have gone to the deep well of uncut funk to produce yet another homage to classic soul that further burnishes their reputation as keepers of the funk flame.

The presence of accordion-powered European dance music along the Texas/Mexico border is a phenomenon only about a hundred years old, forged as twists of historical fate made Tejanos and Polish farmers neighbors in the region's rural communities. One thing led to another, and soon Mexican-Americans were singing Spanish lyrics over the oompah of polkas and Bavarian waltzes. But despite its short history, Tex-Mex conjunto has made a profound cultural impact and become an identifying characteristic of an entire subculture of the Latino community here in the U.S.

When someone once asked Nando Chang if he was into Tupac, the Peruvian American hip-hop fan thought the reference was to Tupac Amaru, a legendary Incan warrior.

Updated 3:21 p.m., April 27 with more detailed information on Charles Neville's passing.

When I first heard ÌFÉ I was stopped in my tracks. Literally. I pulled the car over and just listened.

I recognized Afro-Cuban drumming and chanting, but it was coming at me with electronic furnishings that made their drums and vocals sound like a futuristic spiritual ceremony.

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