Felix Contreras

Felix Contreras is co-host of Alt.Latino, NPR's web-based program about Latin Alternative music and Latino culture. It features music as well as interviews with many of the most well-known Latino musicians, actors, film makers and writers.

Previously, Contreras was a producer and reporter for NPR's Arts Desk and covered, among other stories and projects: a series reported from Mexico introducing the then-new musical movement called Latin Alternative; a series of stories on the financial challenges facing aging jazz musicians; and helped produce NPR's award winning series 50 Great Voices.

He once stood on the stage of the legendary jazz club The Village Vanguard after interviewing the club's owner and swears he felt the spirits of Coltrane and Monk walking through the room.

Contreras is a recovering television journalist who has worked for both NBC and Univision. He's also a part-time musician who plays Afro-Cuban percussion with various jazz and Latin bands.

This week's show celebrates the concept of collaboration in two very important ways. First, it is the story of the Puerto Rican band ÌFÉ and its innovative, collective approach to the spiritual side of Yoruba culture. Bandleader Otura Mun has assembled a group of musicians steeped in the Afro-Caribbean culture of the drum, and together they have created a sound that is both familiar and completely new.

On his first full-length solo album, Fantasmas (Ghosts), Alexander Zavala appears to us — amidst specters — as a messenger of sonic relief.

Mexico City is not known as one of the international jazz capitals of the world. New York, Tokyo — even Havana. But not CDMX (the new abbreviation of Ciudad de Mexico).

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

In many ways, the traditions of flamenco and jazz could not be further apart, but in the hands of a few Spanish jazz musicians, these two worlds commingle and find common ground. Antonio Lizana is one such musician, both a saxophonist and vocalist with one foot firmly planted in each tradition. As a vocalist he has mastered the Moorish, note-bending improvisations that make flamenco singing so beguiling, while the fluidity of ideas he expresses as a saxophonist place him in the time-honored tradition of composing while playing.

These guys had me at their name.

Ever since I heard the first EP back in 2009 I've watched Chicano Batman grow, with a sound that perfectly captures dark lounges, quinceañera dances, car shows and backyard parties.

Lots of other folks have heard something in this music — since that debut the band has played some of the biggest outdoor music festivals for diverse crowds around the country.

Now and then, Alt.Latino offers programs that feature a single artist in conversation about life, art and anything else on their mind. But if we waited to speak with all of the artists who catch our attention one week at a time, it would take ... well, a long time.

So this week, we offer three shorter profiles of artists — some DJs, a musician and a pair of filmmakers — who are capturing Latino culture in three very distinct forms.

Editor's note: This is one of three segments in this week's episode of Alt.Latino. Listen to the full show.


Two years ago I got a crowdsourcing email from two guys making a movie about, of all things, the rich musical history of south Texas.

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