Glen Weldon

Glen Weldon is a regular panelist on NPR's Pop Culture Happy Hour podcast. He also reviews books and movies for NPR.org and is a contributor to NPR's pop culture blog Monkey See, where he posts weekly about comics and comics culture.

Over the course of his career, he has spent time as a theater critic, a science writer, an oral historian, a writing teacher, a bookstore clerk, a PR flack, a seriously terrible marine biologist and a slightly better-than-average competitive swimmer.

Weldon is the author of Superman: The Unauthorized Biography, a cultural history of the iconic character. His fiction and criticism have appeared in The New York Times, The Washington Post, The New Republic, The Atlantic, Slate, Story, McSweeney's, The Dallas Morning News, Washington City Paper and many other publications. He is the recipient of an NEA Arts Journalism Fellowship, a Ragdale Writing Fellowship and a PEW Fellowship in the Arts for Fiction.

As a teenager, James Alan McPherson worked as a passenger-car waiter on the Great Northern Railroad. The experience shaped him as a man and as a writer; he would spend his life producing short fiction and essays exploring race and class in America — the gulf separating white privilege from the black experience. One of his first published stories, "On Trains," included in his fiction collection Hue and Cry, chronicles a white woman's unthinking treatment of black waiters and porters on a train, and subtly reveals its lingering effects on all involved.

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On Wednesday night, the film Star Trek: Beyond held its red-carpet premiere at San Diego Comic-Con. They went all out – a live orchestra, fireworks, a laser show. Conan O'Brien hosted the gig. NPR's Nina Gregory reported on it for Morning Edition yesterday.

Full disclosure, here at the start: I don't know Pokemon.

That's not technically true; here's a list of everything I knew about Pokemon before playing the new smartphone app, Pokemon GO (this knowledge absorbed solely through cultural osmosis, given the phenomenon's ubiquity).

1. Pikachu is a kind (species?) of Pokemon. It is an "electric-type" Pokemon. It is yellow. It has a cutesy voice. Said voice is profoundly annoying.

2. Squirtle is another kind of Pokemon, a "water-type" Pokemon. It, as one might imagine, squirts.

Her name is Riri Williams. She reverse-engineered her own version of the Iron Man battlesuit in her MIT dorm room, got kicked out, and struck out on her own to do the superhero thing. Clumsily at first, but she's learning fast. So fast she's impressing Tony Stark, who's questioning his status as the Marvel Universe's go-to, super-powered Campbell's soup can. Readers first met her in the March issue of Invincible Iron Man.

Copyright 2016 NPR. To see more, visit http://www.npr.org/.

The mechanics of DC Comics' latest relaunch of its superhero line — precisely which books are returning to their original numbering, and the fact that several titles will now be published twice monthly, etc. — have engendered much discussion among retailers and collectors.

But let's talk big picture.

It is a truth universally acknowledged that superhero universes periodically reshuffle their narrative decks. The in-story explanations differ in often tortuous ways, but the only true driver is sales. Or, rather, a lack of them.

Tonight the game show To Tell the Truth returns to television on ABC, hosted by Black-ish star Anthony Anderson. It's proven a surprisingly scrappy, long-lived, battle-scarred veteran of show: since its first run on CBS from 1956 to 1968, there have been three different syndicated versions of TTtT, plus a brief one-year run on NBC (1990-91).

My wife's the reason anything gets done

She nudges me towards promise, by degrees

She is the perfect symphony of one

Our son is her most beautiful reprise

We chase the melodies that seem to find us

Until they're finished songs, and start to play

When senseless acts of tragedy remind us

That nothing here is promised, not one day

This show is proof that history remembers

Free Comic Book Day

Free Comic Book Day, the comics industry's yearly attempt to bring new readers into the fold, is 15 years old. It's a peevish teen that smells of Speed Stick and Clearasil and a practiced, performative surliness. It demands that you drop it off a block away from school.

For the past eight years, I've written a preview of the comics on offer on Free Comic Book Day for NPR. So I'm kind of like Free Comic Book Day's annoying third-grade little brother, always chasing after him and telling everyone how cool he is.

Yesterday the Library of Congress named graphic novelist Gene Luen Yang as its fifth National Ambassador for Young People's Literature. Here's why that matters.

Well, that is a thing that happened.

Fantastic Four came out last weekend, only to encounter less-than-stellar reviews and box office. Our own Chris Klimek saw it for NPR.org and summed up its squandered potential with his usual nerd-cred eloquence, so I sat down with him for Pop Culture Happy Hour to discuss what went wrong and why.

[Deep breath.]

So there's this new English translation of a French graphic novel adaptation of Swann's Way, the first of seven novels in Marcel Proust's masterwork, In Search of Lost Time.

Got all that? First there was the 1913 novel by Proust (in French!), then a graphic novel adaptation by Stephane Heuet (in French!) that was published in installments between in 1998 and 2013, and now that whole thing has been translated by Arthur Goldhammer (into English!).

Faithful Pop Culture Happy Hour listeners know that contributor Chris Klimek is a lifelong action-movie enthusiast, but they may not know that he is, in particular, a Terminator movie connoisseur. Which is why, for this Small Batch edition, I asked him to Skype in from the Connecticut coastline, where he is estivating while on a prestigious writing fellowship, to talk about the fifth film in the Terminator series, the enervatingly spelled Terminator Genisys.

Drawn and Quarterly, the Montreal-based publisher of comics and graphic novels, began life as a magazine, released in April of 1990. That first issue served as a de facto mission statement, laying out what the company would one day achieve on a grander scale – and what it would strive always to avoid.

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