Karen Grigsby Bates

Karen Grigsby Bates is the Los Angeles-based correspondent for NPR News. Bates contributed commentaries to All Things Considered for about 10 years before she joined NPR in 2002 as the first correspondent and alternate host for The Tavis Smiley Show. In addition to general reporting and substitute hosting, she increased the show's coverage of international issues and its cultural coverage, especially in the field of literature and the arts.

In early 2003, Bates joined NPR's former midday news program Day to Day. She has reported on politics (California's precedent-making gubernatorial recall, Gov. Arnold Schwarzenegger's re-election campaign and the high-profile mayoral campaign of Los Angeles' Antonio Villaraigosa), media, and breaking news (the Abu Ghrarib scandal, the 2004 tsunami in Southeast Asia and the execution of Stanley "Tookie" Williams).

Bates' passion for food and things culinary has served her well: she's spent time with award-winning food critic Alan Richman and chef-entrepreneur Emeril Lagasse.

One of Bates' proudest contributions is making books and authors a high-profile part of NPR's coverage. "NPR listeners read a lot, and many of them share the same passion for books that I do, so this isn't work, it's a pleasure." She's had conversations with such writers as Walter Mosley, Joan Didion and Kazuo Ishiguru. Her bi-annual book lists (which are archived on the web) are listener favorites.

Before coming to NPR, Bates was a news reporter for People magazine. She was a contributing columnist to the Op Ed pages of the Los Angeles Times for ten years. Her work has appeared in Time, The New York Times, the Washington Post, Essence and Vogue. And she's been a guest on several news shows such as ABC's Nightline and the CBS Evening News.

In her non-NPR life, Bates is the author of Plain Brown Wrapper and Chosen People, mysteries featuring reporter-sleuth Alex Powell. She is co-author, with Karen E. Hudson, of Basic Black: Home Training for Modern Times, a best-selling etiquette book now in its second edition. Her work also appears in several writers' anthologies.

Bates holds a Bachelor of Arts degree from Wellesley College. Additionally she studied at the University of Ghana and completed the executive management program at Yale University's School of Organization and Management.

"England's First Black Princess!" lots of media blared a variety of that this week, immediately after the official announcement of what several tabloids have been speculating about for months: Prince Harry, brother of Prince William, son of Charles and Diana, grandson of Queen Elizabeth II, is engaged. His intended, Meghan Markle, is American, divorced, three years older than the prince — and biracial. Which has led to a lot of breathless reporting that she is the first black member of the royal family.

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LINDA WERTHEIMER, HOST:

If you close your eyes and listen to Joe Ide, you might think you were talking to a black man, a brother who knows his way around the neighborhood. The slang, the inflection. It's all there.

But Joe Ide is 100% Japanese-American.

And he has a simple explanation for why he sounds the way he sounds:

"Most of our friends [growing up] were black," he says.

A Colorful South LA Childhood

Ide (pronounced "EEE-day") grew up in South Los Angeles, with his extended family.

The NFL continues to wrangle with its issue of players taking a knee during the national anthem, but this isn't the first time The Star Spangled Banner has collided with politics, race and a major sporting event.

The NFL's players are 70 percent black; its fans are 83 percent white and 64 percent male, according to online sports site The Real GM.

And when it comes to the controversy over the national anthem and players taking a knee, that statistic is playing a huge role.

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KELLY MCEVERS, HOST:

Ask Luis Garza how the La Raza exhibition came to be at The Autry Museum of the American West, and he raises his palms, eyes heavenward:

"Karma," he says. "Fate. Serendipity. The gods have chosen to align us at this moment in time."

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MARY LOUISE KELLY, HOST:

When high-priced LA lawyers get together for lunch, it's as likely as not they'll be someplace with white tablecloths, silver flatware and a wine list.

But today, attorneys from the big global firm Nixon Peabody are having chicken, rice and beans from a Mexican fast-food chain.

No ties or heels either, as the lawyers fill their paper plates and chow down while they listen to some instructions from Michele Seyler.

Since its inception nearly a decade ago, Airbnb has faced questions from people of color as to whether the company's worldwide "vacancy" sign really applied to them.

The company has been plagued by allegations and several lawsuits, predominantly but not exclusively from African-Americans, claiming discrimination.

Ebony magazine has been the magazine of black America since it was first published in November 1945. Its stories of success and achievement were a welcome antidote to how its readers normally saw themselves portrayed in mainstream newspapers and magazines. (If they were featured at all, it was usually for something that reinforced the mainstream stereotype of who and what black Americans were.) Until a decade ago, Ebony regularly sold out on newsstands and had a large and loyal subscriber base.

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ROBERT SIEGEL, HOST:

Octavia Butler used to say she remembers exactly when she decided to become a science fiction writer. She was 9 years old and saw a 1954 B-movie called Devil Girl from Mars, and two things struck her. First: "Geez, I can write a better story than that!" And second: "Somebody got paid for writing that story!" If they could, she decided, then she could, too.

This week in race: Bill Maher crosses a line; Kevin Hart takes a pass on President Trump; a Cosby Kid stands up for Dr. Huxtable. Let's get to it.

Can white artists understand the racial traumas people of color undergo in America enough to apply them to their work? Creating art about cultures other than your own — especially of populations that have been marginalized or oppressed — has once again come under fire.

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