Petra Mayer

Any self-respecting comics fan cringes at the phrase "comics aren't just for kids anymore." But any self-respecting comics fan also has to admit there are some great kids' comics out there — especially right now.

Before I left for San Diego Comic-Con this week, I checked in with Lucy Strother, a fourth grade teacher in Philadelphia whose students just love comics. "We have like a comics and graphic novels bin in the library and it's perpetually empty because the kids are so obsessed with comics and graphic novels," she says.

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ROBERT SIEGEL, HOST:

Now to a famous British export - "Doctor Who."

(SOUNDBITE OF MURRAY GOLD'S "DOCTOR WHO THEME")

Back in May, we asked you to tell us about your favorite comics and graphic novels — and you rose to the challenge. We got more than 7,000 nominations, so while you all are lolling around in the frosty air conditioning (or outside in the sun ... weirdos) we've been working away to whittle those thousands of nominations down to an awesome list of 100. Also, OK, I read a lot of Elfquest. For work! Really!

The first comic book I ever read was an obscure DC title that I begged my parents to buy for me from a rotating rack at a New Jersey Turnpike rest stop.

When Ruthanna Emrys first read H.P. Lovecraft's classic story "The Shadow Over Innsmouth," she already knew the basics: It's about a creepy New England harbor town populated by strange, froggy-looking people who turn out to be monstrous, sacrificing humans to their dark gods under the sea.

In the dark forests outside Poughkeepsie, N.Y., two sisters live alone. Lexa, mute, communicates only with her unnerving rag doll. Addison, the elder, gets on her motorbike after dark and ventures into the city, now deserted and terribly transformed after a mysterious incident called the Spill — which claimed both their parents.

Paula Hawkins' 2015 book — The Girl on the Train — was a massive bestseller. A tense domestic thriller with a boozy, unstable narrator, it caught the imagination of a reading public desperate for the kinds of dark deeds and desperate women Gillian Flynn pioneered in Gone Girl a few years earlier.

John Scalzi's novel The Collapsing Empire kicks off a new series set in — you guessed it — an interstellar empire teetering on the brink of collapse. The Interdependency sprawls across light-years of space, held together by a strange dimension called the Flow, which enables humans to span the immense distances between planets. But the Flow is failing, changing, fluctuating — cutting off some planets forever (including Earth). And in the Interdependency, no planet can survive without supplies from the others. So what's an emperox to do?

Neil Gaiman was 6 years old when he first met the Norse god Thor — although he wasn't the red-bearded hammer-slinger of legend. "Marvel. Marvel's Thor came first," he says. "I was reading the reprints of Marvel's Thor in an English comic called Fantastic. ... Dr. Don Blake found this stick in a cave, banged it down and transformed into Thor, and the stick transformed into the hammer." Gaiman says he spent a lot of his first decade looking for likely sticks, "just on the off chance that they might the Thor stick, and might transform into a mighty hammer.

I was lucky enough to have a conversation with Margaret Atwood today, about the sudden popularity of her dystopian classic The Handmaid's Tale. You can hear that story here. But there was one thing that didn't make it into the finished piece — a moment when I asked Atwood what she thought the next big trend would be in dystopian reading.

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ROBERT SIEGEL, HOST:

It was a bright hot day in June. Or possibly July. And the clocks almost certainly weren't striking thirteen, because they don't do that in this country.

But it WAS the summer of 1984. I was 9 years old, and my father was handing me a beat-up paperback with an anonymous-looking white and green cover; his old college copy of George Orwell's 1984. "Here," he said. "I think you're ready for this." My dad has always had a weirdly inflated sense of my intellectual abilities.

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ALLISON AUBREY, HOST:

I was in New York for the weekend, visiting a friend who lives on West 27th Street. We'd been in at an event in Brooklyn; in the cab home, the radio had been saying something about an explosion in Chelsea, on 23rd Street between 6th and 7th — four blocks from her home.

For some comics fans, Alan Moore is basically a god.

He's the media-shy and magnificently bearded writer of comics like Watchmen, V for Vendetta and From Hell — though if you've only ever seen the movies, please, I implore you: Read the books.

Recently, Moore said he's stepping back from comics to focus on other projects — like his epic new novel, Jerusalem. It's full of angels, devils, saints and sinners and visionaries, ghost children and wandering writers, all circling his home town of Northampton, England.

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