Tom Huizenga

Classical music has never lived in a bubble. For centuries, it's always found common ground with folk music.

Enter, the Danish String Quartet.

John Adams might be called the "documentarian" among American composers. His works have traced the birth of the atomic bomb, President Nixon's trip to China and the 9-11 attacks. Now, Adams turns to the California Gold Rush.

Like a good mixtape from a friend, performances by David Greilsammer tend to range widely in repertoire and surprise with cunning juxtapositions. On a recent album for example, the Israeli pianist alternated sonatas by avant-garde pioneer John Cage and baroque master Domenico Scarlatti.

Stile Antico is a 13-member a cappella choir based in London. These young, fresh-faced singers have already racked up some impressive awards for their recordings — mainly of intricately woven music from the Renaissance.

Pianist Glenn Gould rocketed to fame in 1955 with his startling and original take on Bach's Goldberg Variations. Gould's fans were treated to a remake of Goldbergs in 1982, when he released a slower-paced rendition just before his untimely death. But it's that first, rapid fire 1955 recording that continues to captivate audiences.

In the art world, William Eggleston is a revered photographer. In the music world, he's virtually unknown. But now the 78-year-old Memphis native, celebrated for legitimizing color photography in the 1970s, has just released his very first album, simply titled Musik.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Classical and folk music continue to intermingle in fascinating ways. The intersections stretch back far beyond Bach, who cleverly slipped a German folk song into his Goldberg Variations. Later, composers like Ralph Vaughan Williams and Béla Bartók combed the countryside, collecting tunes from villagers.

When Daniil Trifonov was 20, he scored a double victory, taking home top prizes at both the Tchaikovsky and Rubinstein International Piano Competitions. That was six years ago, and by now he has secured a spot as one of the most revered – perhaps even feared – classical pianists on the scene today.

What does it take to be an opera superstar? Jonas Kaufmann should know. He's been called "the world's greatest tenor."

Kaufmann has the voice. He's also got the onstage charisma, the movie-star good looks, the ambition, even a little controversy — and a brand new album.

He's the ultimate singer-songwriter: His poetry knows no equal and, as a musician, his powers are magical. But he also has big problems.

The tragic story of Orpheus has inspired countless works of art over the millennia — plus one. The latest retelling comes from director and choreographer Mark DeChiazza.

At first glance, Devonté Hynes and Philip Glass might appear like musical opposites. Hynes, the 31-year-old British producer and songwriter who performs under the name Blood Orange, makes hit records with Solange and Carly Rae Jepsen.

The intrepid pianist Marc-André Hamelin has a reputation for embracing the toughest, strangest music. His new recording of For Bunita Marcus by Morton Feldman is a fine example. For nearly 75 minutes the music never rises above a whisper and the damper pedal is always pressed down, allowing single notes to ring out into vast, silent spaces.

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