Tom Huizenga

Tom Huizenga is a music producer, reporter and blogger for NPR Music.

He is a regular contributor of stories about classical music to NPR's news programs and co-hosts NPR's classical music blog Deceptive Cadence.

Joining NPR in 1999, Huizenga spent seven years as a producer, writer and editor for NPR's Peabody Award-winning daily classical music show Performance Today and for programs SymphonyCast and World of Opera.

He's produced live concerts, including a radio broadcast of Gershwin's Porgy & Bess from Washington National Opera at the Kennedy Center and NPR's first classical music webcast from the Manhattan club (Le) Poisson Rouge, featuring the acclaimed Emerson String Quartet. He's also asked musicians to play in unlikely venues, such as cellist Alisa Weilerstein playing Bach at the Baltimore Aquarium. He's written and produced radio specials, like A Choral Christmas With Stile Antico, broadcast on stations around the country.

Huizenga's radio career began at the University of Michigan, where he hosted opera, jazz, free-form, and experimental radio programs at Ann Arbor's WCBN. As a student in the Ethnomusicology department, Huizenga studied and performed traditional court music from Indonesia. He also studied English Literature and voice, while writing for the university's newspaper.

Huizenga took his love of music and broadcasting to New Mexico, where he served as music director for NPR member station KRWG, in Las Cruces, and taught radio production at New Mexico State University.

Huizenga lives in Takoma Park, Md. and in his spare time writes about music for the Washington Post and overloads on concerts and movies.

What will Bill Murray do next?

The beloved actor's curiosity seems boundless. It should be no surprise, then, to learn that his new project finds him paired with a classical cellist.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Du Yun, a 39-year-old composer, musician and performance artist, today won the Pulitzer Prize for music for her opera Angel's Bone. The Pulitzer jury describes the piece as a bold work "that integrates vocal and instrumental elements and a wide range of styles into a harrowing allegory for human trafficking in the modern world." Angel's Bone, which has a libretto by the versatile Royce Vavrek (Missy Mazzoli's Breaking the Waves and David T.

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

AUDIE CORNISH, HOST:

It's a curious thing how ancient music can sometimes sound so contemporary. Listen to "Morgunstjarna," and it's as if three centuries' worth of music history evaporates. The anonymous song from 17th-century Iceland sports a catchy, bittersweet melody and rhythmic hook that pop outfits like Peter Bjorn and John might be happy to whistle.

The opera firmament was shaken yesterday when a New York Times article, headlined "The Diva Departs: Renée Fleming's Farewell to Opera," landed online.

Although it closed 60 years ago, Black Mountain College keeps on giving. In its heyday, the liberal arts institution near Asheville, N.C., counted many of the mid-century's great artistic thinkers, including John Cage, Willem de Kooning, Cy Twombly, Buckminster Fuller, Francine du Plessy Gray and Robert Rauschenberg, among its faculty and students.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.


The great Beethoven specialist András Schiff says, "Whatever we do on the piano is a collection of illusions." If that's true, then Volker Bertelmann, the German pianist who goes by the single name Hauschka, is a master illusionist.

Piotr Anderszewski might be one of the most revered pianists of his generation, but he's also one of the most impulsive.

In 1990, at age 21, the young Pole entered the prestigious Leeds International Piano Competition. He was nearly finished with his semi-final performance when he quit playing — just walked off the stage. He felt he wasn't good enough to continue. It was a gutsy move that actually helped launch his career.

Symphony orchestras and opera companies across the country continually ask the same question: How do we attract a younger and more diverse audience?

Saturday night, I discovered something of an answer at the Washington National Opera's east coast premiere of Champion, a four-year-old opera by jazz trumpeter and composer Terence Blanchard.

In 21 seasons of attending WNO performances, I've never witnessed a more diverse crowd.

"I feel your pain." The phrase might still be linked to Bill Clinton's 1992 presidential campaign, but it's also an apt descriptor for a new project by The Crossing, the adventuresome Philadelphia-based choir, based on some very old music.

Pages