-
NPR's Ailsa Chang talks with Jamila Wignot, the filmmaker behind a new documentary series called Stax: Soulsville USA, about the story of the legendary record label.
-
NPR's Mary Louise Kelly talks with author Stephen King about his new collections of short stories, You Like It Darker.
-
NPR's Scott Simon talks to Larry Ingrassia, former managing editor of the Los Angeles Times, about his latest book, "A Fatal Inheritance," which details his family's struggle with cancer.
-
NPR's Scott Simon talks to Matt Shultz, frontman for the band Cage the Elephant, about reassessing one's reality and his band's new album, "Neon Pill".
-
A reluctant hero's quest, a can-do princess, and an evil wizard who just can not shut up: NPR's Scott Simon talks with Peter S. Beagle about his new novel, "I'm Afraid You've Got Dragons."
-
The comedian's HBO Reality Show has been called invasive and narcissistic. But it's also a natural progression of Jerrod Carmichael's work.
-
NPR's Ari Shapiro talks with Boris Kachka about the dynamics of Broadway today. Kachka has a look behind the curtain in his piece for Vulture, headlined "We've Hit Peak Theater."
-
Singer-songwriter Brittany Howard makes her voice acting debut in Thelma the Unicorn, a mini pony who longs to be a star, and her dream comes true when she disguises herself as a unicorn.
-
The actress Kate Hudson had always wanted to write her own music, but she didn't have the courage until now. She talks with NPR's Ari Shapiro about her debut album, Glorious.
-
A small city in Texas is calling on people named Kyle to help break the Guinness World Record for the largest same-name gathering. Calling all Kyles to the annual Kyle fest in Kyle, Texas!
-
On Friday, CNN published footage that appears to show the hip-hop mogul, also known as P. Diddy, physically assaulting his then-girlfriend, Cassie Ventura, in a Los Angeles hotel in 2016.
-
Corman, who died May 9, made hundreds of films, including the cult classics House of Usher and A Bucket of Blood. We listen back to a 1990 interview, plus critic John Powers offers an appreciation.