So far, the summer's end-of-the-world movies (After Earth, Oblivion) have mostly been provoking unintended yuks, so it's kind of a relief that this week's offerings include one that actually means to be funny.
That This Is the End actually is funny — well, that's even better, especially as it's playing cleverly enough with form to keep your brain occupied, too.
It opens with actor Seth Rogen waiting at the L.A. airport for his comedian buddy Jay Baruchel. And the first thing you hear is a passerby saying "Hey Seth Rogen, what up?"
Singer-songwriter Tim Easton makes his third appearance on Mountain Stage, recorded live on the campus of the University of Alaska at Fairbanks. Originally from Ohio, Easton has traveled extensively since leaving his college-era bands to concentrate on a solo career.
Wallace Daniel Pennington grew up singing. His father played guitar and his mother played piano, and by the age of 9, the young man had a guitar of his own. The family attended church on Sunday and Wednesday each week, and to this day, Dan Penn says he remembers the entire Methodist congregation belting out hymns.
The documentary 20 Feet From Stardom, which explores the world of rock 'n' roll's backup singers, opens to the soundtrack of Lou Reed's "Walk on the Wild Side." Reed sings half the refrain — "And the colored girls go, doo do doo do doo" — until a chorus of backup singers pick up the "Do doo" line. At first these women sound far away, but as the chorus progresses, their voices get louder, less produced and polished, more real and intimate.
Originally published on Fri June 14, 2013 12:33 pm
A federal appeals court slapped down a quixotic legal campaign against Monsanto's biotech patents this week.
Organic farmers had gone to court to declare those patents invalid. The farmers, according to their lawyers, were "forced to sue preemptively to protect themselves from being accused of patent infringement" if their field became contaminated by Monsanto's genetically modified seed.
Ozwald Boateng was the youngest and first black tailor to have a shop on London's prestigious Savile Row, a street renowned for its fine tailoring, where the world's royalty come for their attire.
Boateng also dresses athletic and Hollywood royalty. Actor Laurence Fishburne once said, "When you wear an Ozwald Boateng suit, you become a statesman of cool." Boateng is also a statesman for something else: the future development of Africa.
He joined Tell Me More host Michel Martin to talk about style and diplomacy.
I'm Michel Martin. And this is TELL ME MORE from NPR News. We start the program today with a memory. Fifty years ago today, a few minutes after midnight, civil rights activist Medgar Evers was gunned down in his driveway in Jackson, Mississippi by a white segregationist who wanted to stop Evers' work as a field organizer for the NAACP. He was just 37 years old, a war veteran, a husband, and father of three. Evers had put his life on the line to register voters. Here he is a month before his murder.
Guys, did you hear? The '90s are back! By all means, don't let go — you've got the music in you — but as the nostalgia gap gets shorter every year, there's a fine line between homage and theft. That's why recent rock bands like Milk Music, Speedy Ortiz and Roomrunner get it right, ingesting bands that made 120 Minutes and the left side of the dial vital, while still demonstrating that there are still plenty of raucous hooks to mine.
Combining found sounds and toy instruments with electronics and orchestral instruments, the music of Puerto Rican-born composer Angélica Negrón crafts a sound that's at once futuristic and nostalgic. Her compositions draw from ambient music, found sound, visual art and the hidden potential of everyday objects, as well as the classical music tradition.