Bob Boilen

In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.

Significant listener interest in the music being played on All Things Considered, along with his and NPR's vast music collections, gave Boilen the idea to start All Songs Considered. "It was obvious to me that listeners of NPR were also lovers of music, but what also became obvious by 1999 was that the web was going to be the place to discover new music and that we wanted to be the premiere site for music discovery." The show launched in 2000, with Boilen as its host.

Before coming to NPR, Boilen found many ways to share his passion for music. From 1982 to 1986 he worked for Baltimore's Impossible Theater, where he held many posts, including composer, technician, and recording engineer. Boilen became part of music history in 1983 with the Impossible Theater production Whiz Bang, a History of Sound. In it, Boilen became one of the first composers to use audio sampling — in this case, sounds from nature and the industrial revolution. He was interviewed about Whiz Bang by Susan Stamberg on All Things Considered.

In 1985, the Washington City Paper voted Boilen 'Performance Artist of the Year.' An electronic musician, he received a grant from the Washington D.C. Commission on the Arts and Humanities to work on electronic music and performance.

After Impossible Theater, Boilen worked as a producer for a television station in Washington, D.C. He produced several projects, including a music video show. In 1997, he started producing an online show called Science Live for the Discovery Channel. He also put out two albums with his psychedelic band, Tiny Desk Unit, during the late 1970s and early 1980s. Boilen still composes and performs music and posts it for free on his website BobBoilen.info. He performs contradance music and has a podcast of contradance music that he produces with his son Julian.

Boilen's first book, Your Song Changed My Life, was published in April 2016 by HarperCollins.

There's new music from Lucius: The New York quartet's song "Million Dollar Secret" will be featured on HBO's Girls this Sunday.

You need only watch Steve Marion's face. This fierce and lyrical guitar player, who performs as Delicate Steve, writes playful instrumental music led by hooky vocals — but there is no voice. His electric guitar is often played with a glass slide, mimicking a human being and bringing a palpable personality to his songs. The music swings from gospel to cartoon, melancholy to funny.

Merchandise is, colloquially anyways, the engine that drives the boat, the rocket fuel that propels careers toward the stars!

Actually, according to Martin Atkins, author of Welcome To The Music Business, You're F****d!, merchandise is more like "the small hand-cranked trolley that inches up the funicular railway, inch by rusted, mangled inch, up the hill." Merchandise, particularly t-shirts, are the subject of this fun-filled Martin Atkins Minute (actually six fun-filled minutes).

Here's a story of how a sentiment, the kernel of a piece, can blossom when the right person comes along. The songwriter is Minneapolis-by-way-of-Wisconsin's J.E. Sunde, but the key transformer was Monica Martin, of the band Phox.

From a tiny city in Norway comes a young woman with a powerful voice. "Don't Kill My Vibe" is the debut single from Sigrid. I took this as a "kiss off" song, but the beauty of this track is how malleable it feels in so many situations, from workmates to everyday frustrations.

My favorite rock band, alt-J, has a pleasantly surprising piece of new music this morning — "3WW" comes from the band's third album, Relaxer, which they announced this morning and will be out June 9 on Canvasback Music. Unlike some of their brasher music, this song has the feel of a West African tune, with a gentle plucked sound that reminds me of an ngoni or kora.

Ninet rocked the Tiny Desk in ways rarely seen.

As I watched one of the most famous entertainers in Israel today here at NPR, I flashed back to a 1976 concert I saw by a not-yet-famous Joan Jett. Ninet has that same fierce and honest conviction, is walking that same path that Jett did and poised to find notoriety in this country, which she recently began to call home.

They're simply an abundance of euphoria. The Dirty Dozen Brass Band blasted the Tiny Desk with a Sousaphone, trumpets, saxophones, guitar and drums, at stunning volume, for a joyful celebration.

This band has been mixing be-bop and funk for 40 years. Around this time of year, when Mardi Gras revelry is fueled by New Orleans jazz, it was so good to feel their sounds in the office. Since today is Fat Tuesday — just before Lent and its fasts begin for some — we are sharing the party we hosted, filled with brass and sass from this fixture of great American music. Enjoy.

We watched more than 6,000 videos. Ten judges weighed in. Now, the 2017 Tiny Desk Contest has a winner.

Agnes Obel, a Danish singer and writer of deeply alluring music, brought her work into what you could call its opposite — an office in the daylight. While the setting is a bit contrary to her carefully plotted, vocally dense songs, she mapped out a strategy which included her own reverb and monitor mix in the (successful, I think) hope of giving the Tiny Desk an aesthetic more suitable to these focused and powerful songs.

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