Elizabeth Blair

Elizabeth Blair is a Peabody Award winning, Senior Producer/Reporter on the Arts Desk of NPR News.

On a daily basis, she produces, edits and reports arts and cultural segments that air on NPR News magazines including Morning Edition and All Things Considered. Her recent stories explored the rise of public humiliation in popular culture, consumers' changing media habits and the intersection of the arts and education.

In this position that she has held since 2003, Blair's varied work has included profiles of actor Neil Patrick Harris, rapper K'Naan, and the band Pearl Jam. She has written and produced long-form documentaries on such cultural icons as Paul Robeson and Billie Holiday. Blair oversaw the production of some of NPR's most popular special projects including "50 Great Voices," the NPR series on awe-inspiring voices from around the world and across time in, and the "In Character" series which explored famous American fictional characters.

Over the years, Blair has received several honors for her work including two Peabody Awards and a Gracie.

For three and a half years, Blair lived in Paris, France, where she co-produced Le Jazz Club From Paris with Dee Dee Bridgewater, and the monthly magazine Postcard From Paris.

It's a heart-stopping scene: The protagonist of The Good Dinosaur, an 11-year-old Apatosaurus named Arlo is chasing a little thief who's been stealing his family's food. Arlo's not looking where he's going and he slips and falls into a river. Panic-stricken, he gasps for air as his body goes hurtling down the raging rapids. The splashes, the currents, the rocks, the sound, the details are so vivid — you feel real fear for this animated dinosaur.

When you were a little kid, everyday objects could be amazing — twigs, bugs, old tires, there was potential in everything. And it's that sense of awe that the Smithsonian's Renwick Gallery is trying to recapture in its new show, Wonder.

By now, it should be no surprise that ballet has a grim underbelly — or should that be a flat stomach? The dark side of the art form has gotten its share of depictions on screen, and now it's getting a new one — this time in Flesh and Bone, a limited-run series on Starz.

Copyright 2015 NPR. To see more, visit http://www.npr.org/.



Twenty-five years ago, a new Halloween tradition was launched.


NANCY CARTWRIGHT: (As Bart Simpson) Here's a story that's really scarifying.

Fear old women in fairy tales. For as long as people have been telling stories, crones have been scaring the wits out of children. But why does the face of evil so often belong to an old woman?

Typecasting is one explanation. "What do we have? Nags, witches, evil stepmothers, cannibals, ogres. It's quite dreadful," says Maria Tatar, who teaches a course on folklore and mythology at Harvard. Still, Tatar is quick to point out that old women are also powerful — they're often the ones who can work magic.

The muppet Julia has not yet made her TV debut, but the wide-eyed little girl with a big smile is the star of her own "digital storybook" called "We're Amazing, 1,2,3."

Among the institutions devastated by the flooding in South Carolina is the home of a ballet company.

Dancers from around the world have come to Columbia to dance in the Columbia Classical Ballet Company, founded more than 20 years ago by Radenko Pavlovich.

Now the company's 32 members have nowhere to rehearse or take classes. Their building, renovated just this summer, has been completely destroyed.

During the flooding, water reached up to the ceiling of the studio. Costumes and music scores were ruined.

Copyright 2015 NPR. To see more, visit http://www.npr.org/.



When Mikhail Baryshnikov says, "I'm really afraid to get bored with myself," he means it.

As one of the greatest ballet dancers in history, he's captivated audiences around the world. He was also the artistic director of American Ballet Theatre, has danced to his own heartbeat, had a run as Carrie Bradshaw's part-time lover on HBO's Sex and the City, and so much more. (His list of credits and awards is long and eclectic.)