Jeff Lunden

When playwright Sarah DeLappe was growing up, she loved war movies. So she decided to write a play that was like a war movie – but about girls soccer.

The Wolves opens at New York's Lincoln Center on Monday. As the lights come up, nine teenage girls are in a circle atop a green expanse of artificial turf, stretching before a match. And they're all talking at once.

When songwriter David Yazbek, whose mother is Jewish and father Lebanese, decided to write a musical that fused his two cultural backgrounds, he knew he didn't want it to be about tribal conflict.

His new Broadway show, The Band's Visit, attempts to do something that seems almost unfashionable: look at two historically antagonistic cultures and tell a story about their commonality.

The Hebrew Psalms have inspired composers for thousands of years.

Now, New York's Lincoln Center is presenting The Psalms Experience, a festival of choral settings of all 150 Psalms by 150 different composers. It includes nine U.S. premieres.

Over the years, many authors have dealt with alcoholism, addiction and recovery — think of plays like Long Day's Journey into Night, or films like Days of Wine and Roses. Now a new play from England joins them: People, Places & Things takes an unsentimental and, at times, harrowing look at addiction and recovery.

Cheryl Strayed — author of the bestselling memoir Wild — was still an unknown writer when she started an anonymous advice column called "Dear Sugar." She remembers reading and writing things "that we don't normally say to people in the public space," she recalls — and those intimate exchanges made her explore her own life more deeply. "I always think of the 'Dear Sugar' column as, like, therapy in the town square."

The New York City Ballet's costume shop is located on the eighth floor of a building in Lincoln Center. There are spectacular views of the Hudson River, but no one's looking out the windows. They're all working with a quiet intensity.

"It's a shop full of 18 people," says Marc Happel, the City Ballet's director of costumes. "Amazing craftspeople, machine operators, hand stitching, we have three drapers. I mean the level of costume-making here is probably the highest you could get."

Many plays have been called "kitchen sink" dramas because of their attempts at realism, but Oh My Sweet Land takes that to the extreme. It uses not just the sink but also the stove, the refrigerator, a chopping board and a very big knife — and it's being performed in kitchens across New York.

We Shall Not Be Moved is a new opera that takes its name from both the old spiritual-turned-civil-rights anthem and the Philadelphia black liberation group, MOVE. That group might be best-remembered for a 1985 tragedy: A police helicopter bombed the MOVE house, and the resulting fire killed 11 people and destroyed 62 homes in the neighborhood.

The opera, presented by Opera Philadelphia with the Apollo Theater, had its world premiere Sept. 16. It revisits that house and its ghosts, while remaining centered on stories about young people in Philadelphia today.

Legendary theater director Sir Peter Hall might have ended up the grand old man of British theater, but he came from modest beginnings — Hall was born in 1930 in Suffolk, England to a father who was a railway clerk, and his family lived in a house without electricity.

Hall went on to run two of the most important theater companies in England — the Royal Shakespeare Company and the National Theatre — and directed Waiting for Godot and Amadeus, among dozens of plays, old and new.

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

ARI SHAPIRO, HOST:

One of the ingredients a successful Broadway show needs is a talented cast. That starts with talented casting directors, the people who can see a Tony-winning star in the making, say, when a performer walks into an audition as a college student named Audra McDonald.

Tony Award-winning composer John Kander has a favorite story about Broadway producer and director Harold Prince: In 1965, he and lyricist Fred Ebb were working on a show that Prince produced called Flora, The Red Menace and it was not going well.

Tony Award-winning actress and singer Barbara Cook, an ingénue in Broadway's Golden Age — during the 1950s and '60s — who later transformed herself into a concert and cabaret star, has died. She was 89.

Cook died early Tuesday of respiratory failure, surrounded by friends and family at her home in Manhattan, according to her publicist.

Copyright 2017 NPR. To see more, visit http://www.npr.org/.

LULU GARCIA-NAVARRO, HOST:

Russian, American and French ballet dancers are gathering Thursday night for a bit of cultural diplomacy at New York City's Lincoln Center. They're celebrating the 50th anniversary of George Balanchine's masterpiece Jewels, considered the first full-length, nonnarrative ballet.

For generations of children, the Eloise book series is a favorite. It tells the story of a 6-year old troublemaker who lives at New York's Plaza Hotel. Now "Eloise at the Museum," an exhibition at the New York Historical Society, looks at the creators of the series: author Kay Thompson, who died in 1998, and illustrator Hilary Knight, who's now 90.

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